Tuesday morning, I cleared out the last of my half of the office.  I carried my set of the Bedford Anthology of World Literature to the car, along with my hot pot and grammar guides.  I finished the paperwork for my check-out procedure.  I was thinking, with great excitement, about my imminent departure for Sewanee, followed by my departure for Georgetown.  I was thinking, with even greater excitement, about the fact that I’d get to take classes again, at Sewanee, and hear all of the exciting lectures and talks posted on the schedule.  I was thinking, with greatest excitement, about the thrill of being back in a workshop, about the joy of once again joining a community of writers.  And then I hit a wall.

Literally.

A concrete wall.  With my car.  In the parking lot across from the College of Liberal Arts building on campus, as I swerved to avoid a gigantic SUV which made an especially and unnecessarily gigantic turn in my direction.  I am, at this point, visualizing it as a NASCAR race, when one driver forces another against a wall.  I am, at this point, visualizing the other driver as Danica Patrick.  Only I was going ten miles per hour rather than a hundred or more.

Apparently, ten miles per hour is enough — though it at first seemed that only the wheel was damaged, the entire underside of the car is bent, and the repair work will not be complete until next Friday.  This, along with a slew of other factors, means that Sewanee is, terribly, terribly, impossible at this point.  I think that I’m still in a state of disbelief about this.  Sewanee is a very special place for me: I attended the Sewanee Young Writers’ Conference for two years, and consider my first year there to be the turning point in my career, if not my life.  It was during that first year at SYWC that I had the great fortune to study with Diann Blakely, the brilliant, compassionate, and awe-inspiring teacher who changed my life, who set me on the course I’m still taking today.  I have so been looking forward to returning to Sewanee, hoping to revisit the site of that transformation.  It appears, however, that it’s not meant to be.

I had a favorite place on the campus: a scenic overlook that was too breathtaking to be described.  Were my photographs not packed, I’d scan one and post it; as they are packed, I’m posting this photograph, pilfered from the Internet, which either is this particular spot or a spot remarkably like it.

As for what I’ll do these two weeks: I’ve decided to take a page from the lecture I deliver each year before we discuss Krapp’s Last Tape, and follow Beckett’s lead.  Between the years of 1946 and 1950, Beckett retreated to his apartment in Paris and worked almost continuously.  While I don’t have the stamina for four years, and doubt that I’ve got a trilogy of novels waiting to be written, I do have two weeks free for constant work, and a great deal of work to do.  Updates to follow.