Despite a (presently continuing — ugh) encounter with a stomach virus (I swear, my body must feel about viruses the way I felt about stickers or My Little Pony dolls as a child — it seems to never get enough of them, even if it’s just gotten one), my time at home has left me rejuvenated, refreshed, and feeling more solid, sure-footed, and squared away than I have in a long time. And I’m also beginning to feel Poems simmer up to the surface: slowly but surely, they’re returning. This is the way the Witch Project has worked: I research, I find myself in a flurry of writing, I stop, I research, and then the flurry again, only this time with a brand new perspective. I’m starting to see this almost as a prism, as if each time I stop and start again, I’ve turned the prism and am looking at everything — the trials, the villagers, theological concerns, the life and death of the witch — from a different angle. This time, it looks that I’ll be approaching the poems with the idea of The Other in mind. It seems an important thing: how one can so easily be labeled as Other, as Not What We Want, and how that can be it, absolutely, no further questions, no persuasion otherwise, need not apply.
Taking a new look at my work is, as always, rejuvenating, but I think perhaps I am feeling rejuvenated mostly because of my artist-in-residence work. My second residency, this one at Fews Alternative School, where I teach the Writing Our Stories curriculum through the Alabama Writers’ Forum, began this Wednesday. I was nervous, as I always am when stepping into a classroom for the first time as teacher — especially someone else’s classroom! — but my nerves were quickly settled. Fews is an amazing school, and the faculty and administration show a devotion and dedication to their students and to education that is, to say the least, impressive and inspiring. Though nothing could be more impressive and inspiring than the students themselves — though I think they were, at first, a bit suspicious of me, they seemed to warm up after a little while, and the work they produced! Absolutely amazing. I cannot wait to work with them again, and consider myself incredibly lucky to have been given this chance.
I’ve been thinking a lot about change, how, perhaps, the most important part of it is just being ready, and being patient enough to wait.
Now, back to the end-of-Spring-Break-grind, and to Diet Coke and Saltines (sorry, no-sugar diet, but a bowl of asparagus and quinoa pasta probably wouldn’t make my stomach happy now), and to the witches, and class plans, and, probably, some reality television — I missed the season finale of Scott Baio, and have been trying to catch it, in order to get my rage on.
Incidentally: my photograph is lying to you. I cut off six and a half inches of my hair, and have some Serious Bangs.

Emma Bolden is the author of How To Recognize A Lady, a chapbook of poems published as part of Edge by Edge, the third in Toadlily Press' Quartet Series, and The Mariner's Wife, a chapbook published by Finishing Line Press. Her third chapbook, The Sad Epistles, is forthcoming from Dancing Girl Press. She was the recipient of a Tennessee Williams Scholarship to the Sewanee Writers' Conference and was named a Finalist for a Ruth Lilly Fellowship by the Poetry Foundation/Poetry magazine. Her work has been published or is forthcoming in such journals as Prairie Schooner, the Indiana Review, Feminist Studies, The Journal, Redivider, The Greensboro Review, and Verse. Her manuscript was a semi-finalist for the Perugia Press Prize. She is a Visiting Assistant Professor of English at Georgetown College, where she also serves as the poetry editor of the Georgetown Review.



6 comments
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March 22, 2008 at 3:07 am
mariegauthier
Bangs! — bellissima!
(I suspect the stomach bug was directly related to the no-sugar diet.)
I love how you describe your writing/working/thinking process. I, too, can feel the poems bubbling up, but time is a problem. Just this evening after work I was gloriously alone, in the parking lot of the grocery store, and took the opportunity, before beginning the Big Shop, to scribble a swift list of ideas & words. It feels good, huh?
Enjoy the last days of your vacation!
March 22, 2008 at 11:33 am
didyousayhername
Speaking of poems simmering… do you know what I found as I was moving my piles of things from one vehicle to another (long story)? Do you?? Can we say Fables? Can we say Aphorisms? Can we say, “Why did I not put this in the mail months ago?” Ugh.
This new look at the witches sounds fabulously intriguing, and I am most certainly rooting for them!
I cannot wait to hear more about Fews — hooray!
March 24, 2008 at 12:17 pm
Di
I do this silly “Monday Meandering” thing on my blog. And it brought me to you.
This line spoke to me:
“I’ve been thinking a lot about change, how, perhaps, the most important part of it is just being ready, and being patient enough to wait.”
I think I want to control change instead of just inviting it in.
March 24, 2008 at 3:04 pm
emmabolden
Marie — yes, bangs! Bangs! I’m realizing, as time goes on, that I have almost the same haircut as the one I had when I was a sophomore in college. I’ll try to see if I can find photographs to compare.
The stomach bug MUST be related to the no-sugar diet! If you don’t give your stomach chocolate, this is what happens! Let this be a warning to the world!
How many poems have I started in the parking lot of the grocery store? Though the shower is really my ultimate moment of simmering. Glad to hear that the poems are coming to you as well!
March 24, 2008 at 3:08 pm
emmabolden
didyousayhernamewaslouise: Fables! Aphorisms! Bears! Oh my! That manuscript popped into my mind a few days ago, as I was looking at chapbook contests … I revised a couple of them to submit to BOMB (I AM SO OBSESSED WITH THAT MAGAZINE I CANNOT EVEN TELL YOU). I’ll have to take another look at what I did to them.
Fews — awesome. Awesome.
We shall convee very soon! I’m returning to the Loveliest Village on the Plain today. And I had a dream about you in which you wore a hot pink wig.
March 24, 2008 at 3:10 pm
emmabolden
Dear Di, welcome to the blog! I can tell from your photo that we would get along very well.
I’ve always tried to control change, too. Or, rather, fought with my jaw clenched and hands balled into fists against change. I’m not sure how I’ll do with this new inviting change resolution, but we’ll see.